Creon and Haemon Essay Example for Free

Creon and Haemon EssayHow would you direct the confrontation between Creon and Haemon in order to achieve your chosen impact for your audience? The scene of confrontation between Creon and Haemon comes when Creon has sentenced Antigone, futurity bride of Haemon, to be shut up in the cave. I would want to commemorate a contrast between the characters with costume, so that the audience would get a visual representation of their emotions. I would dress Creon in an extravagant red silken robe, with gold trimmings. This would highlight his status as King, and also the red could signify a bloodthirsty attitude, as Creon is revelling in Antigones fate.Contrastingly, Haemon would be wearing a simple sable cotton robe, without any trimmings. This would taper that he doesnt care for superficial extravagance, and black is also a colour of mourning this would symbolise Haemons feelings towards Antigones fate. In the opening of this scene, Creon greets Haemon pleasantly. I would direct Creon to grip Haemons right sacrifice with both of his own hands, in a friendly, pleading handshake this would show warmth for Haemon, which is what Creon wishes to express at this point.He would maintain eye contact and stand with legs shoulder-width apart He would tell in a soft tone, with a slow pace, medium pitch and a relatively low volume, again to give the impression of warmth. In the suck we are always comrades, and my love for you is unshaken, I would direct the actor playing Creon to emphasise the words always and unshaken, stressing these superlatives, in order to exaggerate the positive feelings, diplomatically Haemons response would be in kind, reciprocating the respect. He would accept the handshake, and keep eye contact. His vocal qualities would be as those of Haemon.He would say I know I am your son, Father, stressing the word Father to show respect and also family love. During this ex channel, they would both be very close physically, to show that they are, at t his point, still emotionally close. The luminousness would be a straw aftermath from above over the stage, of medium intensity object. Creon would be next to a podium, centre-stage-left. Haemon would be centre stage, and the Chorus would be arranged in a semi-circle around them. During Creons following speech, I would want the audience to witness a change in Creons approach.The first noticeable change in attitude would be when he says Dont be taken in/ Boy. Dont let any woman erect you. His tone would become harsher, and lower berth approximately as if speaking in a whisper. He would also grasp Haemon on the word Boy, to show the audience that he wants to instil certain discriminatory values in Haemon, as it is a subject he feels passionately about. Furthermore, he would almost spit the work woman and emphasise the word ensnare to present acidity to the audience. He would say Dont be taken in, Boy without changing his tone or pace, simply increasing intensity, to show the audience how echt he is.He would continue in this manner, speaking in harsh tones. The next change in Creons demeanour would come when he says I leave alone do it. And she must die. Here, he would revert to speaking with authority, assertively. He would stress the modal verbs, will and must to show that he is completely fixed upon the idea, and is unwavering. This would show the audience his stubbornness. At this point, low-intensity, subtle red uplighting would feel slowly faded in, to cast shadows upon Creons face to make him seem more imposing and venomous. It would be hardly noticeable by the audience at this stage, as it would be slowly and subtly introduced.Creon would also step back and stand straight at this point, and better after the line, to highlight its significance to the audience. He would have his hands calmly by his sides. Creon would continue to rant, his volume increasing, and the red uplighting becoming stronger, as the straw wash slowly faded and his hand g estures becoming increasingly evident and expansive. On the line Anarchy, disobedience, he would be banging his fists on his podium in anger, to show the audience how passionately he feels about the subject. He would be nearly shouting at this point, and Haemon would recoil slightly, in fear and surprise at Creons outburst.Creon would next shift toward the end of his speech, and I would want my audience to see him bring back subtle persuasion, using the fact that he is Haemons father to his advantage let it be by a mans hand, eh son? / Not by a conspiracy of women . I would want him to go back to speaking in lower tones, almost at a stage-whisper level, as he wants to instil his own sexism, and apparent paranoia regarding women, into Haemon yet again. This repetition would show the audience sound how sexist Creon is. I would therefore have the actor emphasise the words man son, conspiracy and women to show this, and put one arm around Haemon.The red uplighting would also mordant a t this point, the straw wash becoming more prominent this would visually represent the change in tone to the audience. Following the Chorus somewhat neutral response, Haemon would reply by at first speaking pleasantries Its not for me to say you are wrong is quite self-deprecating and is complimentary to Creon. Haemon would therefore speak it in a soft tone, and would physically lower himself by bending knees and back slightly. His volume would be medium at this point, and he would make no hand gestures. The lighting would remain as a straw wash, all red gone at this point.Haemon would emphasise me and you to underline the fact he is making a direct comparison between himself and Creon. Haemon would change in approach right on the line But I can sometimes hear sight whisper. The word but here is a clear discursive marker in the text, indicating a change. Also, Haemon begins to discuss how people see Antigones punishment as unjust. He would thus take a step back is if expecting an o utburst from Creon, and emphasise words like people and whisper to show the audience that the character aims to divorce himself from the views.He would become more pleading as the speech progresses, let me beg you to have second thoughts and I beg you Father. This is again showing he accepts inferiority, but also makes clear to the audience that he is against his fathers actions. The metaphors regarding the failure of stubborn things would be spoken with a degree of accusation regarding Creon Haemon would look at Creon when truism inflexible and refuses to indicate that there refer to Creon.At the end of the speech he says Take good advice when it is offered. This is a direct question to Creon, and I would have Haemon on one knee, clasping Creons hand at this point, to show his desperation to the audience. In the ensuing stichomythia, I would instruct Creon to increase in volume, pace and raise his component part at the end of each sentence. Also, I would want him to spit phrase s like Youre a womans mouthpiece , whilst shaking his arms, palms clawed and facing up to show craze to the audience.Comparatively, I would instruct Haemon to remain calm, speaking in controlled tones and a steady volume throughout, making few hand gestures. Haemon would instead increase in moth-eaten contempt, by sharpening the sound of his vowels at the ends of sentences, and speaking in a low tone, and emphasising certain words. He would emphasise the word demented, but without raising the volume of his vocalism a great deal. Also, at the end, when Haemon says this disgusting spectacle/ In company with a madman, are welcome to it, I would want him to speak this calmly without varying his pace.He would say this emphasising disgusting spectacle and madman by raising pitch and volume a little. This would show the audience that he feels contempt toward Creon, but is above just shouting. Creon, on the other hand, would be virtually screaming Bring her out, the bitch, emphasising t he word bitch by stressing the harsh vowel sound, and gesturing wildly towards the side entrance, as if indicating from where she should be brought. This would show the audience that Creon has lost his composure, and has lost control of his rage.The lighting would be red uplighting again on Creon only, to cast shadows across his face, whilst a blue gel, to liquify with the straw wash, would be coming in from above. Overall, this should all contribute into presenting Haemon into an emotionally controlled, stable character, whereas Creon would appear as quite the opposite unreasonable, stubborn and emotionally volatile. The objective would be to present the characters as such, to encourage the audience to sympathise with Haemon, even empathise with him ideally, the audience too would feel frustrated and contemptuous towards Creon.